Sven B. Schreiber (sbs)
The Scandinavian countries are renowned for having some of the world's most far-out artists. Let's add Trond Gjellum and his "Suburban Savages" to the list now. It's really hard to describe this album adequately. It's... well... so far-out, you know... Take a listen yourself!
Favorite track: Guzarondan.
Out of the savaged suburbs of Oslo comes the brainchild of Trond Gjellum – drummer from the legendary Norwegian prog rock band Panzerpappa. Suburban Savages consists of members from Panzerpappa, Ghost Karaoke, White Willow, Weserbergland, Fraction Distraction and Now've Got Members – bands that have distinguished themselves as playful ensembles with a willingness to expand the boundaries of pop and rock. The result is unique: The catchy simplicity of pop music is mixed with the mind-blowing complexity of progressive rock.
The music writer Richard Toftesund (of former Tarkus Magazine) described the music as follows: “A sort of mishmash between Brian Eno’s experimental pop music, Gentle Giant's counterpoint exercises, Happy the Man and Kit Watkins' joyful progressive rock, Lars Hollmer's sentimental melodies, Steve Reich's minimalism and post rock with a twist”. In a genre transcending blend, hummable pop tunes merge with prog rock complexity, punk energy, folk music immediacy and post rock aesthetics – even within the same song! Suburban Savages manages to sound witty, catchy and experimental at the same time.
With a direct and to-the-point delivery of power, emotion and groove, Suburban Savages’ music is always entertaining, often hummable, sometimes danceable and even reluctantly laughable. Though experimental and eclectic, the music always manages to be pleasant. Extensive use of melodic percussion and flute besides classic rock instruments as drums, guitars and bass guitar, contribute to produce a fresh and captivating sound.
released June 9, 2017
drums, percussion, lead & backing vocals, programming, keyboards
A sort of mishmash between Brian Eno’s experimental pop music, Gentle Giant's counterpoint exercises, Happy the Man and Kit Watkins' joyful progressive rock, Lars Hollmer's sentimental melodies, Steve Reich's minimalism and post rock with a twist
An incredible album that draws from classic prog rock scenes such as Canterbury and RIO and updates them, creating a greater whole that sounds brilliant. Intricate song structures, rich textures, time signature changes and a quirky, British sense of humour popping up now and then from the lyrics or from the music itself. Sheer and lush prog rock awesomeness. muschiosauro
This is a great album! A prog masterpiece. Imagine if you took 70's era Robert Fripp and Geddy Lee, and had them record an instrumental project today, only playing the edgy, heavy music you like, and this would be similar. S Duck